This week’s episode tells the story of a dramatic and traumatic story, and how writing played a central role in recovery and changing the outcome of one author’s life. This week’s episode is epic tale as much as it is interview, and it will change the way you think of the power of writing to charge your neurons and heal your mind—not to mention the way you think about willpower, writers’ block, and why writing is both personally and universally life-changing and life-saving. This week’s harrowing and fascinating story-episode is not to be missed.

If part of why you write is because you have some things to share from a life well- or hard- or fully lived, then you’re in good company. Personal writing is about connection, and making sense of our experience, and this week’s guest, Sari Botton, knows a thing or two about what brings writers to the page. She is a champion of personal writing and memoir, and is going to share about contributing, about her own writing process and why it’s hard to put personal things into the world, and so much more—including how to stay the course during these insane times we’re living in and through. To read Sari’s piece that’s part of Writing Co-Lab’s 100 Days of Creative Resistance, visit: https://mailchi.mp/ad90d6d86b5b/sari-botton-why-we-need-personal-writing

There’s a caveat out the gate here, which is that in this week’s interview, Tom Perrotta stipulates that he writes about people and communities and the dramas that unfold—in places that just happen to be the suburbs. That said, we’re bringing you a great and often funny conversation with Perrotta about his decades of work, how his character Tracy Flick got caught up in the backlash of #MeToo, how he thinks about recurring characters, and his reminiscences about early books on tape when they used to be ten or more cassettes in a giant plastic case. Lots to sink your teeth into in this week’s show. Enjoy!

This week’s guest is Jean Kwok, a writer known for writing literary thrillers, which is the blending of literary writing and mystery, resulting in tension-filled books with exciting twists. Jean brings fantastic insights into complex literary structures and the importance of knowing what you’re doing. A fun listen for anyone who loves their mysteries and thrillers wrapped up in a literary package. And this week’s episode comes with a dose of Agatha Christie on the side, for reasons that will become clear when you listen!

This week, Grant and Brooke talk with Dennis James Sweeney about his new book, How to Submit. If you’ve ever felt intimidated by the submissions process; wondered what some of the common pitfalls are when it comes to submitting, or if you need a reframe about how to think about submitting, this show is for you. Dennis has an encouraging and helpful way of submitting—thinking about it as based on community, conversation, and through the lens of trying to find the best home for your work—whether it’s an op-ed, an essay, a poem, or a book. Dennis is one of the most encouraging guests we’ve had in a while—and if you’re wanting to get published, this is an episode you’ll come back to again!

This week we’re focusing on a little celebrated but much important aspect of storytelling: your story’s scope. How much ground are you trying to cover and how do you execute the pacing? These are the questions you must answer if you know and understand your scope. This week’s guest, Tara Dorabji, has a new novel, Call Her Freedom, that spans more than five decades, and yet, it’s a relatively short book. And so, it packs a punch. Books can cover a single day or a hundred years, and consideration for how to unfold stories of such extremes and everything in between originates with the author. Join us for a bit of a deep dive into this fascinating conversation, and Tara Dorabji’s insights about writing, publishing, and more.

This week we’re looking into the stories that inspire and move us, focusing on those that focus on everyday characters who are extraordinary in their very ordinariness. We speak to guest Sadeqa Johnson about the characters who’ve called to her, those voices that became well-rounded characters who she brought to life. This episode touches on a bit of magic, and what it’s like to listen to and get to know the characters who end up in the books we want to write. There’s much to love about this episode, not the least of which is Sadeqa’s energy and enthusiasm for her craft.

Are you considering doing a writers’ retreat this year? Whether you want to create your own, find something far-flung and exotic, or consider the writing retreat’s bigger cousin, the writers’ conference, this episode gives insights, definitions, and parameters for retreating. Guests Ellen Sussman and Connie Hale are both writing retreat leaders who share about their own programs and so much more.

On Substackin’ this week, we salute our friend and colleague, Dan Blank, for the great and encouraging work he’s doing at The Creative Shift, and point you to his Substack.

On this week’s show, we’re recognizing and honoring how far we’ve come in the world of fiction in the past decades since everyone in this week’s conversation remembers a time when there was no such thing as a gay protagonist. Guest Lee Wind talks to us about his new novel and his LGBTQ advocacy—for writers and readers. We also talk about James Bond, great books for queer youth, and why we love the Independent Book Publishers Association.